White Helmets behind staged chemical weapon attack in Syria last year
Created on: 21st February 2019
We have written articles before about the White Helmets and the Western Media`s naïve portrayal of these Islamists, who just happen to be at the right place at the right time, with a camera helping injured people.
In an extraordinary turn of events, corporate media appears to have been exposed again as an extension of state foreign policy, by a member of the establishment media cabal, manufacturing consent for regime change in Syria.
Riam Dalati is on the BBC production team based in Beirut and describes himself, on his Twitter page, as an “esteemed colleague” of Quentin Sommerville, the BBC’s Middle East correspondent. Dalati broke ranks with his UK Government-aligned media, on Twitter, to announce that “after almost 6 months of investigation, I can prove, without a doubt, that the Douma hospital scene was staged.”
The scenes in question are those manufactured by the White Helmet pseudo-humanitarian group and activists affiliated to Jaish al-Islam, the extremist armed group in charge of Douma at the time of the alleged chemical weapon attack on April 7, 2018.
The scenes of children being hosed down, following a “chemical attack” were immediately accepted as credible and appeared alongside sensationalist headlines in most Western media outlets, including the BBC, CNN and Channel 4. Simon Tisdall of the Guardian wrote an opinion piece, with the headline ‘After Douma the West’s response to Syria regime must be military’ – only two days after Douma, effectively calling for all out war.
While Dalati’s tweets have clearly distressed some notables in the establishment camp, Dalati is no stranger to such controversy. Almost immediately after the alleged incident in Douma, he tweeted out his frustration that “activists and rebels” had used “corpses of dead children to stage emotive scenes for Western consumption.”
The emotive wording of Dalati’s tweet, he was “sick and tired” of such manipulation of events, suggested that this was not the first time children had been used as props in a macabre war theatre designed to elicit public sympathy for escalated military intervention in Syria disguised as a necessary “humanitarian” crack down on “Assad’s gassing of his own people.”
Dalati had been referring to the arranging of two children’s corpses into a “last hug” still life composition, a photo that went viral, rocketed into the social media sphere by activists who had collaborated with the brutal Jaish al-Islam regime while it tortured and abused the Syrian civilians under its control.
Posted by David Pilkington
Extract from www.rt.com
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